Adam - Giselle / Carla Fracci, Erik Bruhn, John Lanchbery, American Ballet Theatre

Im not a ballet fan by any means - this is the 2nd one Ive watched. So I speak for the naive.

Carla Fracci was magnificent as Giselle and Bruhn a very good partner.

I would have to agree with those that wrote that the Direction of this film is abysmal and detracts from the outstanding dance performances of Fracci and Bruhn. However, any time you have the opportunity to see Carla Fracci in Giselle, take it. I saw Fracci dance this many times on stage and no one can touch her as Giselle. Certainly, there were others like Makarova who were technically better dancers but no one can match Fracci when it comes to capturing the spirit of Giselle. True, there were some misplaced attempts on the part of the director to make this more realistic, a truly absurd notion when were talking about a woman who dies of madness and keeps her lover from being danced to death by vengeful spirits. If youve had the pleasure of seeing Fracci in person, this film may disappoint but she is non the less the quintessential Giselle.

I saw this ballet danced by Brun in the 70s on T.V.. The performance by Brun was brillant. I ordered this DVD hoping I would still feel the same way after all these years. I was not disappointed and the DVD was of the highest quality and the dancing was as magical as I remembered it to be!

The dance performance is good. Video production is VHS quality, muddy and dark. It is too bad they couldnt remaster and clean up the video quality. Disappointing on DVD. No chapter divisions or random access to scenes.

I was much looking forward to this release as I had never seen this, one of the most notable ballet films ever done.

Lets be clear. The performances (excepting the corps) are mostly world class (although I prefer other Giselles). Unfortunately they have been done irreparable damage by screen directing and editing that is unfortunate at best (certainly in the second act) and inexcusable at worst. Especially in the second act, the camera uses tricks like showing dancers/images reflections in water (where in the Sam Hill should there be water in a cemetery in the woods?) and superimposing close-ups in order to (I suppose) beef-up the cinematic qualities of the video. Alas, it doesnt work and only detracts from the true genius of this masterpiece which deserves far better treatment. The corp in the second act, as seen from above, describing a circle, looks ludicrous and suspiciously like a bad Busby-Berkley musical. Where were the arbiters of good taste when this was put together??? They certainly were not David Blair (the re-choreographer) and Hugo Niegeling, the film director. A filmed performance with the same cast would have been infinitely superior and it is a great loss that we do not have one. What we have is more like a circus performance with trick photography at almost every turn (no pun intended) which trivializes the dancers as well as their art. Another minus is the totally lack-luster conducting by John Lanchbery who not only distorts the music but re-writes his own harmonies (as well as instrumentation) in place of the composer Adolphe Adam. Giselle need and deserves far better than this and it can only be recommended for the leads, who are handicapped by this travesty of film direction.

Ive watched a lot of movies over the past 50 years, and I think Im in a position to say that its very likely that the director of this movie never got a job as director of a movie again. Thats how badly he directed this version of Giselle. I also have watched some excellent ballet DVDs in the past year, so I knew that this ballet had to have been performed better. I bought the Giselle by the La Scala ballet company with Alessandra Ferri as Giselle, and thoroughly enjoyed it.

Excellent! This is a great example of why I like the American Ballet better than the Bolshoi. When the Bolshoi makes a movie, they just set up a camera or three in front of the stage, and you get no more than the audience gets. And you listen to the audience applause every so often, to let you know you should admire that particular bit. The American Ballet -- and the British -- make a movie of it, with different camera angles, including close-ups, and sets that could not be contained on a theater stage, and even a few special effects. Theyre still telling a story in music and dance, but they take advantage of what film can do. Also, the costumes are so much better. Again, they tend to go beyond what would be effective on a stage.

Its a fabulous perf...and so what the producer is a bit too far into puddle reflections and sech...we would be much the poorer had this film never been made, and I would have been much the poorer for never having seen it...and Fracci radiates...plus the conducting is first rate....