Elle

Is the intent of this movie to tell a story that justifies rape? Very little about this movie is likable. There is some good acting, but the script is un-savable. All of the characters are despicable and there is no redemption. What is meant to be a climax and wrap up of the story feels like it was added only because a focus group said it should be. Plus, how old are the characters supposed to be? Seems everyone in the show is 15-20 years older than their characters. Good for them for being able to play younger but it made the story a little harder to follow and believe.

Once upon a time, Paul Verhoeven was the hottest director in Hollywood, helming such box office hits as RoboCop and Basic Instinct. But a couple of disappointments (oddly, everyone I know loves Starship Troopers and Showgirls is regarded as a camp classic) is all it takes for studios to turn their back on you these days, so Verhoeven took his talent back overseas (he was born and raised in the Netherlands and didnt start directing American movies until the mid 80s - the underrated Flesh and Blood) where his style of sex, violence, and a good dose of humor seems to work best. This is the case with Elle, a movie that would be dead serious if it was made in Hollywood by anyone else. Thankfully, its French and helmed by Verhoeven – making it one of the more uniquely entertaining movies youre likely to come across. French actress and Academy Award nominee Isabelle Huppert ( indeed, one of the best and bravest actors currently working) stars as Michèle, who we see getting raped by a masked man (dressed all in black) in the movies opening moments. While this horrible event would be the cause of two hours of angst for a character in an American movie, Michèle treats her rape rather clinically, although that doesnt mean she doesnt become focused on both finding ways to protect herself and well as hoping to unmask the perpetrator – who begins a game of taunting her after the events take place. Michèle works for a videogame company whose specialty is creating violent and sexually exploitive games, so she immediately begins to suspect that one of her employees (maybe a current one, perhaps a former one) is the man who raped her. Others in Michèles circle of friends and acquaintances are also suspicious. I will confess to pinpointing who the person was as soon as his character is introduced in the movie, although I dont know if it will be that obvious to everyone who watches the film. However, the identity of the person is just the first surprise in the movie, as Michèles response is far from expected and may even turn some viewers (especially females, I suspect) off. I will say that knowing who it is (or having a pretty good idea) didnt take away any of my enjoyment, which is a good indication that the film holds up to multiple viewings and is much more than a whodunnit. The movie also has a great excuse why our lead character doesnt take her problems to the police; Michèles father was responsible for some horrible crimes at which she was present (as a little girl). The crimes were horrendous enough that complete strangers will shout awful things at her, and one woman (early in the movie) actually throws a tray of food on her in a public restaurant. Michèle treats that moment so nonchalantly, that viewers will know its happened to her many times before. But for all the seriousness of the subject matter here, the real surprise of Elle (which, incidentally, isnt a nickname for the main character but rather the French word for she) is what a wicked sense of humor is has. Not in the laugh-out-loud kind of way (although I certainly did so a few times), but in a dry, subversive way. Theres a great subplot here involving Michèles son (Jonas Bloquet) and the rather questionable girlfriend (Alice Isaaz) hes chosen for himself that goes places I dont think a Hollywood movie would dare (wait until you the scene where she gives birth!). Unfortunately a lot of us avoid foreign movies because you have no desire to sit and read subtitles for two hours – I sometimes feel the same, but I encourage you to give this movie a chance. If youve loved Verhoevens work here in the States, youll get that same feeling with Elle. I dont know that its the directors best movie, but its definitely a contender. Vital Disc Stats: (The Blu-ray.) Elle arrives on Blu-ray in a standard Sony-type blue keepcase (the kind with the flap on the side you need to lift up to open the case) and contains no inserts. The 50GB Blu-ray is front-loaded with trailers for Equity, Julieta, Toni Erdmann, Maggies Plan, and Our Little Sister. The main menu consists of a still image of actress Isabelle Hupperts character and the cat in the movie (the same image that graces the back of the keepcases slick), with menu selections horizontally across the bottom of the screen. The Blu-ray is region-free.

ok

I couldnt even finish the last 15 minutes. No idea why professional reviewers liked it so much. What am I missing? The acting was great, but the story line was repugnant. SPOILER: When you are injured , vulnerable in a remote area, and need a ride, Im pretty damn sure you dont call your rapist for help. And thats not even the most hideous aspect of the plot.

Never in my wildest dreams did I think I would be giving anything starring one of my favorite screen stars a poor review. So many glowing ones here, and yet I am stumped. I loved The Piano Teacher in which she played a sexually suppressed and twisted woman. And I have loved just about everything else shes done. I had high hopes for this film when it started. She looks fabulous; the rest of the cast is great. And yet - it just didnt add up on so many levels, most notably the physical. How could it be that this woman is raped and beaten again and again and yet comes up glowing and bouncy, able to dance with her rapist after having her knee gashed by him. Why is her face seen as perfectly alabaster after multiple throttlings by her horrible abuser? I was somehow led to believe that she extracts her revenge on him, and I thought that was going to be in some clever, interesting way, but no - in the end she is as despicable as the rapist in my opinion, leaving it to an innocent to do the killing. Is her sang froid in so many sensitive situations supposed to imply that she does, after all, take after her psychopathic father? The finale seems to prove this; what she has done to her best friend. But whats particularly troublesome is that she is forgiven, again and again, by the people she uses. That does not ring true. A person like that might be feared but she would also be hated by others, not celebrated and adored. So for me, this is less about a poor woman who is raped than about a total narcissist/sociopath who has no qualms about using everyone around her, including her son, for her twisted needs and desires. No, this one just didnt add up. Mostly, though, it was her lack of any scars or physical repercussions of rape. That is an insult to women who have suffered rape and live with the mental and phsyical damages. Im shocked that critics didnt understand that. The cool, attractive cookie role not only doesnt work here, its destructive to women, and I would not advise any woman I know to see it.

Well...life is complicated...especially if youre French. But I actually kind of liked it in a perverse sort of way. Interesting story with a strong female lead.

Director Paul Verhoeven is famous for his provocative films, often combining sex, violence and psychological power play. Actress Isabelle Huppert is famous for her demanding roles, often playing powerful women with an obsession for sex and/or violence. Put the two together and you can guess what you get. Elles lead character, Michèle, is a woman who owns a video game company, specializing in games filled with extreme sex and violence. She casually shares her bed with her best friends husband. She masturbates watching the neighbour unloading the trunk of his car. Her father is a convicted serial killer. Oh, and she doesnt seem to mind getting raped. At least, thats the impression after the very first scene. After having been attacked and violently raped, she doesnt call the police of even a friend, but a fast food restaurant, ordering something to eat. The film explores not only Michèles relationship with her rapist, whose identity is established after about two thirds of the film, but also the men and women in her immediate circle. They all have their problems and peculiarities, and Michèle seems to pull all their strings as a hard, cold woman, superbly mastering her feelings and emotions. For the viewer, it takes some effort to understand all the different relationships, and even more to grasp Michèles behaviour. The only explanation Verhoeven offers, is her troubled youth as the daughter of a serial killer. In my opinion, the film suffers from an overload of characters with psychological difficulties. Theres a mother hiring a gigolo because she cant accept getting older, theres a son clinging to a dominating girlfriend, a neighbour with a wife obsessed with religion, an employee playing a dirty trick on Michèle, and so on. Personally, I found it a bit too much. The one thing that stands out in this film, is Isabelle Hupperts acting. Any other actress could easily have made Michèles character unbelievable. But Hupperts utter detachment from any form of sensitivity makes the part completely convincing.

This 2016 movie was a good entertainment, but not as great as I expected. Be careful of the critics reviews, as usual. I thought it was easy to suspect the bad guy sooner in the development of the story when it was not the buy guy yet. Huppert is filling her role which, as always with her, is deeply tormented. This noir movie, based on Philippe Djians Oh is a Germano-French collaboration directed by the well-known and also very tormented Verhoeven. Michele is a separated woman who, with her best friend, is at the head of a video game company. She seems to like to control everybodys life, from her mother to her ex, though her son and his girlfriend, without forgetting her team; but one day...

Ends just like a typical French movie, if you know about them, youll know.

For the great acting and very good production. A very twisted story, but not too far from reality for some. I wanted to stop watching it at one point, but I could not. Have you own experience.