Elle

The plot twist comes as a total surprise! The resolve that only a European filmmaker and actors can bring to life in Europe.

Weird movie

Wow!

**** 4-Stars **** Elle is simply she or her in French - and sometimes it. Paul Verhoeven, one of my favorite directors, teams up with Isabelle Huppert, one of my favorite actors, to make a film that is surprising, often shocking, and wholly fascinating. I will watch it again. Warning: this is one of the least politically correct flicks you will ever see - multiple rapes (which our heroine suffers stoically, and perhaps with some curiosity), lots of bed-hopping, and a handful of other things likely to annoy some viewers. But the real question is, can you accept a 63-year-old woman as sexy, strong-willed and a bit of a femme-fatale? French audiences clearly had no problem (Huppert is universally adored, and besides, Catherine Deneuve, a decade older than Huppert, already busted this glass ceiling a few times) - but Im not so sure Americans will be as comfortable with this. Go ahead, watch Elle - I dare ya. Vive la France!

This 2016 movie was a good entertainment, but not as great as I expected. Be careful of the critics reviews, as usual. I thought it was easy to suspect the bad guy sooner in the development of the story when it was not the buy guy yet. Huppert is filling her role which, as always with her, is deeply tormented. This noir movie, based on Philippe Djians Oh is a Germano-French collaboration directed by the well-known and also very tormented Verhoeven. Michele is a separated woman who, with her best friend, is at the head of a video game company. She seems to like to control everybodys life, from her mother to her ex, though her son and his girlfriend, without forgetting her team; but one day...

This movie was very different! It was good but kind of unbelievable as far as her personal relationships in the story went. Don’t want to spoil anything; I would recommend just to hear other reviews.

Well, full of twists and tangential story lines, which can be good. Boundaries were definitely pushed. However, in this film, conclusions and resolutions were reached without being earned. Story lines just jumped from problem to the problem being solved, which is lazy writing. The performances were good, but ultimately the film left me disappointed.

**** 4-Stars **** Elle is simply she or her in French - and sometimes it. Paul Verhoeven, one of my favorite directors, teams up with Isabelle Huppert, one of my favorite actors, to make a film that is surprising, often shocking, and wholly fascinating. I will watch it again. Warning: this is one of the least politically correct flicks you will ever see - multiple rapes (which our heroine suffers stoically, and perhaps with some curiosity), lots of bed-hopping, and a handful of other things likely to annoy some viewers. But the real question is, can you accept a 63-year-old woman as sexy, strong-willed and a bit of a femme-fatale? French audiences clearly had no problem (Huppert is universally adored, and besides, Catherine Deneuve, a decade older than Huppert, already busted this glass ceiling a few times) - but Im not so sure Americans will be as comfortable with this. Go ahead, watch Elle - I dare ya. Vive la France!

This story calls for a strong-minded, level-headed female lead and Huppert is perfect for it. Ive always loved her performance but it took me a long time to make up my mind to watch this one because of the subject matter. It did not disappoint. Like many French films and unlike most Hollywood films, it has a main plot line and many sub plot lines which are just as intriguing. In the first half hour, it unfolds so well about the relationships and dynamics among the characters involved without wasting scenes to explain, just enough to keep the suspense going but not too much to insult our intelligence. Obviously we are kept on our toes all the way to the end on the question of who did it, but for me its also about the personal struggle of finally breaking free from ones painful past and starting to move on with living. She is so fearful of reporting the assault to the police because she does not stir up the public attention of the past--there she continues to let the past influence her actions and rule her life. Spoiler alert: at one point there is a conclusion to her past (the passing of her father), after which she starts making different decisions...At the end of the day, this is a happy-ending story. Before watching it, I had vaguely remembered review words like controversial and thought maybe it had something to do with her attraction to the aggressor. After watching it I have to say her attraction to the aggressor (without knowing who it is at the time) precisely highlights the point for many rape victims in real life, that what constitutes a rape is without the consensus of the victim, regardless of how attractive the aggressor is. On the other hand, I thought what could be a bit controversial might be how she refuses to forgive her father (and her mother for that matter) even when they are on their deathbeds. Most movies would have them reconcile somehow, but this plot is more honest. I dont personally have such a painful past with my family to be able to directly relate but I hope this detail is validating and comforting to those who can relate, and that it is okay not to forgive those who did wrong to you, as long as this feeling empowers and liberates you, like it did her.

Great thing about this movie and what makes it so refreshing is that it does not feel like it was written by a committee. The Hollywood movies Im talking about are those with cookie-cutter scripts and feel like either PSAs or anti-PSAs and feel like youve seen dozens like them already. This is the story of how a super-smart woman deals successfully and unconventionally with misfortune